No Title, 2025

No Title 2025 is the only piece in this collection that doesn’t reference any specific text. In that sense, it comes closest to the kind of abstraction I often seek in my work. Interestingly, its concept was among the first to be resolved – even before the exhibition itself had fully taken shape, the idea was already forming. What proved most challenging here wasn’t the meaning but the material. I experimented with concrete and various metals before ultimately choosing plaster. That decision was driven by a desire to imbue the piece with a sense of impermanence – something fragile, almost provisional. Plaster gave the work a brittle, ephemeral quality, as though it might not survive the moment.