Blue Morning

Blue morning and Green morning, are the first larger works I painted after October 7. I was still very much using the language of the world up to October 6. Both works are created from the text of the morning prayer, which I wrote in dozens of layers, one of the other.
That is a technique I often use in order to render a text illegible. And sometimes, when the text has become illegible and hence unreachable, inapproachable, evasive, a different structure appears. When it does, I feel that this must have been the feeling of discovering a new layer in the pardes. You know: it's still the same text, but suddenly an entirely different, additional horizon appears within it.
I can't claim it's entirely intentional. But the search for the structure is definitely what I'm busy with when painting